Break in Case of Arts Emergency

Major Arts Institutions Come Together in Support as Giant ‘Break in Case of Arts Emergency’ Boxes Appear Across the UK to Highlight the Growing Arts Crisis for Young People and UK Culture

Arts Emergency’s ‘Break in Case of Arts Emergency’ Box Aims to Highlight the Inequalities in the Creative and Cultural Industries

Arts Emergency’s ‘Break in Case of Arts Emergency’ Box Aims to Highlight the Inequalities in the Creative and Cultural Industries

Class, ethnicity and disability are still major barriers to young people gaining entry to the creative industries, and the pandemic has heightened gaping inequalities in the creative pipeline. Given the last year, the term “Arts Emergency” has never been more true, nor more urgent:

  • Just 16% of people in the Creative industries are from a working-class background1
  • Only 4.8% of people working in music, the visual & performing arts are Black, Asian or from a minority ethnic background2 and just 12% of those are from a working-class background3
  • 40% of people working in media attended private school4
  • 2.7% of people working in museums, galleries and libraries are Black, Asian or from a minority ethnic background5
  • 16% of people in film and TV come from working-class backgrounds6, and only 9% of those in film, radio and TV are Black, Asian or from a minority ethnic background7

“We have a responsibility to call out the lack of representation within the cultural and creative industries and to help level the playing field for people in the UK.” – Yomi Adegoke, Slay in Your Lane

LONDON, Oct. 14, 2021 (GLOBE NEWSWIRE) — Celebrities, Arts organisations, creative companies and universities around the UK have today joined forces as part of a campaign that calls on those working in culture to help open the doors for marginalised young people struggling to break into the Arts.

Celebrities including Jack Dee, Katy Brand, Michael Sheen, Neil Gaiman, Jenny Eclair and Chris Addison have joined an the #BreakTheGlass online campaign calling on those working in culture to help open the doors for marginalised young people struggling to break into the Arts.

The comedians and actors were amongst hundreds of those sharing the names of the people who helped them to make their breakthrough and encourages their followers to sign up to share their time or donate to Arts Emergency, the award-winning mentoring charity and support Network, and open the door to young Talent – just £10 a month can support a young person’s place on the scheme from 16 to 25 years of age.

A giant ‘Break in Case of Arts Emergency’ box featuring devastating statistics on the state of the UK creative workforce was placed outside venues around the UK to raise awareness of the barriers that young people face in joining the Arts, and the disastrous impact losing a generation of young talent will have on UK culture.

This campaign was created by Arts Emergency, the award-winning mentoring charity and support Network. The box also displays examples of creative work from Arts Emergency’s young people, Jannell Adufo, Maïs Bouteldja, Helen Hale, Gwent Odai and Sam Oddie, showcasing some of the incredible raw talents which are at risk of being excluded from the arts. The accompanying text calls for viewers to help ‘break the glass’ by joining the Network.

The box launched at the Museum of London, where the young people unveiled their work before arriving at its new home in Liverpool at the World Museum in time for National Museums Liverpool’s official 2022 launch event.

Organisations lending their support to the campaign include The BFI (British Film Institute), University of the Arts London, ATC Management and ATC Live, the Eden Project, Framestore and Company 3, Get Up, Stand Up – The Bob Marley Musical, Avalon and The Agency, Rankin, Whitworth Gallery, FACT Liverpool, Ian Pons Jewell, Vertigo Releasing, Powster, DawBell, TAKEOFF, Sarah Wigglesworth Associates, Strawberries and Creem and FCB Inferno. The activation is also being supported and shared by Linkedin.

Several of the organisations that have signed up to support are also opening their doors in practical ways to the young people Arts Emergency work with. These include promoting the charity’s action sheet on supporting young people and good working practices, virtual open days to understand the various roles available in advertising plus three paid summer internships with FCB Inferno, artist workshops to showcase the music ecosystem and range of behind-the-scenes roles available from ATC Management and ATC Live, and four paid traineeships with ‘Get Up, Stand Up! The Bob Marley Musical’. Avalon and the Agency offer mentorship opportunities, three paid internships each year and actively recruit for full-time staff from the charity.

“Our future cultural landscape is in danger of being populated exclusively by the children of the wealthy and well-connected. I love Arts Emergency because it works to bridge this gap. To create the opportunities that have been taken away for the non-wealthy.” – Julie Hesmondhalgh, actress: Coronation Street, Happy Valley, Broadchurch

Arts Emergency began life as a small mentoring project in Hackney set up by comedian Josie Long and activist Neil Griffiths to help young people affected by austerity and rising tuition fees. Arts Emergency has since grown into a charity with bases across the UK and a community of thousands of volunteers, supporting young people aged 16-25 in most need of the support of a mentor. This includes young people from working-class backgrounds, disabled people, carers and young parents, refugees and asylum seekers, those in care and care leavers, people with learning disabilities or special educational needs, and people from Black, Asian or minority ethnic backgrounds.

The charity relies on individual donations and those already in the arts and humanities opening their networks and knowledge up to young people. Arts Emergency is now at a crucial turning point, and with increasing demand for its services, the organisation has set out a new vision to support 2,500 young people nationally by 2025.

The odds of getting into a creative job are significantly lower if you are Black, Asian or from a minority ethnic background, from a working-class background, female, disabled or living outside of London and the South East. In fact, people from privileged backgrounds are four times more likely to land in a creative occupation, and the likelihood of someone from a working-class background finding work in a creative career has remained largely unchanged since 1980.8

In September, the All-Party Parliamentary Group (APPG) for Creative Diversity review showed that the creative economy is losing out by not representing the huge range of diverse talent that exists in the UK, particularly in senior decision-making roles and key creative professions. Arts Emergency exists to level the playing field and is calling on people who work in the creative industries to open the doors of their network for a new wave of cultural creators. The statistics shown in the campaign aren’t just a problem for underrepresented talent trying to get into the arts. It’s a problem for our culture as a whole.

The campaign was created pro bono by creative agency FCB Inferno, the agency behind work such as Sport England’s ‘This Girl Can’ and the Premier League’s ‘No Room for Racism’. The launch campaign includes press ads and a series of short social documentaries to support the launch, with creative industry names including poet Raymond Antrobus and artist Mark Leckey sharing how they broke into their profession, exploring their struggles along the way and encouraging audiences to help more young people find their way into the arts. The organisation’s youth collective is also launching a podcast, Crash Culture, in which they interview people, including writer Kit de Waal and researcher/activist Rianna Walcott about social justice and the cultural industries.

“We need to actively remove elitism and nepotism in our creative industries, and instead create diversity in race, gender, class and age. This isn’t needed just for fairness, but because it makes the work we create significantly better. At RANKIN, we say that we want to change the world, and it’s projects like Arts Emergency that really will change the creative one.” – Rankin

Katy Wright, Managing Director at FCB Inferno said: “Having worked alongside Arts Emergency for the past four years, we’ve seen first-hand the impact of their mentoring and support for marginalised young people most affected by rising tuition fees and cuts to the arts. For these young people to follow their passions and navigate their way into the creative and cultural sectors is a tough road. And for many, it seems impossible to follow. But if someone can open the door and show them the way in, it could mean a breakthrough that changes their lives forever.”

Neil Griffiths, Founder of Arts Emergency said: “No matter what you’ve achieved, someone at some time gave you a leg up, and Arts Emergency is thousands of people from across the cultural and creative industries doing just that for the next generation by donating money, time and contacts to help them get in and get on.”

https://arts-emergency.org

Notes to Editors

The National Gallery is not affiliated with the activation and has been chosen to act as a globally recognisable symbol of the UK arts industry.

Quotes from our supporters can be found here:
Supporter quotes
Young Talent art and bios

ABOUT ARTS EMERGENCY

Arts Emergency is an award-winning charity founded by comedian Josie Long and activist Neil Griffiths. Since 2013 they have provided expert mentors, guidance and opportunities to support underrepresented young people into higher education and creative careers.

Arts Emergency helps young people without connections follow their passions and navigate their way into the creative and cultural sectors. The charity provides 16-25-year-olds with a combined long-term programme of mentorship, networking and real-world opportunities. Young Talent only need to ask and they can deliver. Whether it’s a paid internship, CV advice or audition coaching, our volunteers will step up to help. Their support Network is made up of over 7,000 cultural professionals who’ve offered to share crucial gateways into hard to crack industries like TV, publishing and architecture.

Arts Emergency supports young people aged 16-25 who most need the support of a mentor. This includes those from working-class backgrounds, disabled people, carers and young parents, refugees and asylum seekers, those in care and care leavers, people with learning disabilities or special educational needs, and people from Black, Asian or ethnic minority backgrounds.

Network members bring a wealth of experience across the fields of TV, film, music, art, fashion, academia, journalism, publishing, design, and theatre. High profile supporters include fashion historian and BBC presenter Amber Butchart, comedian and actor Julie Hesmondhalgh, author and journalist Reni Eddo-Lodge, musician Kae Tempest, writer Neil Gaiman and comedians Nish Kumar, Stewart Lee and Sara Pascoe.

https://arts-emergency.org

FCB INFERNO

FCB Inferno, based in London, is one of the world’s leading creative agencies and works with a diverse mix of both local and global clients.

We create ideas that drive business today and build brands of tomorrow. Ideas that endure and are Never Finished. The work we do is both highly commercial and purpose-driven for some of the world’s most iconic brands, including creating the acclaimed ‘This Girl Can’ campaign for Sport England.

Our creativity and effectiveness have been recognised at numerous global award shows for solving clients’ business problems in innovative ways. This includes multiple Grands Prix at Cannes, D&AD White and Yellow pencils and even a BAFTA nomination.

We are part of the FCB Network with over 8000 employees across 80 countries. FCB was named Global Agency Network of the Year by Adweek 2020 and Network of The Year at the Cannes International Festival of Creativity in 2021. We were also awarded the inaugural One Show Fusion Pencil for diversity and inclusion, the Good Report’s #1 campaign and Network, and a Grand Prix in e-commerce at Cannes – and we’re just getting started.

Contact:
CC Clark
cc.clark@fcbinferno.com

A photo accompanying this announcement is available at https://www.globenewswire.com/NewsRoom/AttachmentNg/8b151a3d-e977-4a90-8353-a13e23b833d1

__________________________

1 https://www.pec.ac.uk/assets/publications/PEC-report-class-in-the-creative-industries-FINAL.pdf
2https://createlondon.org/wp-content/uploads/2018/04/Panic-Social-Class-Taste-and-Inequalities-in-the-Creative-Industries1.pdf
3 https://www.pec.ac.uk/assets/publications/PEC-report-class-in-the-creative-industries-FINAL.pdf
4 https://www.suttontrust.com/our-research/elitistt-britain-2019
5https://createlondon.org/wp-content/uploads/2018/04/Panic-Social-Class-Taste-and-Inequalities-in-the-Creative-Industries1.pdf
6 https://www.pec.ac.uk/assets/publications/PEC-report-class-in-the-creative-industries-FINAL.pdf
7 Orian Brook, Dave O’Brien and Mark Taylor, Culture is bad for you. Inequality in the cultural and creative industries, 2020. (p.61)
8 https://osf.io/preprints/socarxiv/7njy3/ & https://createlondon.org/wp-content/uploads/2018/04/Panic-Social-Class-Taste-and-Inequalities-in-the-Creative-Industries1.pdf

Junta Troops Torch Church, Homes in Myanmar’s Chin State

Troops loyal to Myanmar’s junta have torched an entire village—including a Baptist church and a dozen other buildings—in the country’s embattled Chin state, residents said Thursday, prompting condemnation from a local human rights group which called the act a “war crime” under international law.

The burnings took place on Wednesday afternoon, after a military convoy of around 40 vehicles and two tanks headed from Falam township to the Chin state capital Hakha was attacked about three miles outside of Falam by the anti-junta Chin Defense Force militia, an armed group formed to combat Myanmar’s military in the western state, sources told RFA’s Myanmar Service.

Following the clash, the military set up camp in Rialti village—some five miles further along the road to Hakha from the site where the convoy was attacked—and began setting buildings alight, residents said.

A religious leader from the Rialti Village Baptist Church, who spoke to RFA on condition of anonymity out of fear of reprisal, said that the military initially burned eight homes around 3:00 p.m. on Wednesday, before continuing to set buildings on fire Thursday morning.

“This morning, it was the church and our warehouse—those two were set on fire earlier this morning and at about 9:00 a.m., the remaining three houses,” he said.

“All were gone in a short while. The whole village, including the church, was set on fire. Eight houses were torched yesterday. In all, 13 buildings, including the church, were destroyed.”

Residents said that the troops only left the village on Thursday after making sure that the buildings were ablaze. They told RFA that they had fled to nearby forested hills when the military arrived on Wednesday and watched from afar as the structures went up in flames.

Junta spokesman Maj Gen Zaw Min Tun on Thursday dismissed reports that government troops were responsibile for the burning of the church and homes in Rialti village, saying the military “does not open fire on any religious building or in any village.”

“It’s not right to blame the military every time something happens during a battle—it’s always an exchange of fire between the two sides,” he said.

“What we do know is that there was no fighting in that locality. Additionally, we are rebuilding religious buildings that were destroyed by fire or other reasons.”

But Salai Za Op Lin, deputy executive director of the India-based Chin Human Rights Organization, confirmed to RFA that the military had burned down the Baptist church and other buildings in Rialti village and called the act a “war crime.”

“We see this as a war crime because wherever they go, they focus on wherever there are large numbers of people—it’s a deliberate violation of religious freedom,” he said, noting that other Christian communities in Chin state have been targeted since the military seized power in a February coup.

“Now that the military has started a real operation in Chin state, we can expect a lot of such abuses and acts, and we urge the international community to keep a close eye on this.”

Last month, Pastor Cung Biak Hum, 31, was shot and killed when he and several others ran to put out fires set by government soldiers during an attack on Chin state’s Thantlang town, the scene of recent fighting with civilian militias that oppose the junta takeover.

Attacks on churches

Myanmar’s military overthrew the democratically elected National League for Democracy government on Feb. 1, claiming the party had stolen the country’s November 2020 ballot through voter fraud.

The junta has yet to provide evidence of its claims and has violently repressed anti-coup protests, killing at least 1,171 people and arresting 7,308 others, according to the Bangkok-based Assistance Association for Political Prisoners.

Amid nationwide turmoil, the military has stepped up offensives in remote parts of the country, triggering fierce battles with local People’s Defense Force militias and some of the dozens of ethnic armies that control large swathes of territory along Myanmar’s periphery.

According to Salai Za Op Lin, the military’s actions on Wednesday marked the eighth time junta forces have destroyed a Christian church in Chin state in the more than eight months since taking over the government. He said that while the military has attacked churches with heavy weapons and destroyed religious objects in the past, the incident in Rialti was the first time a church was set on fire.

Dr. Hkalam Samson of the Kachin Baptist Association called any kind of an attack on churches “unacceptable.”

“We have always objected to the intentional destruction of religious buildings in the midst of conflict,” he said.

“We could understand and accept this kind of thing if it was an accident. But there has been a lot of intentional destruction and we cannot accept such actions.”

Christians make up around six percent of Buddhist-majority Myanmar’s population.

Reported by RFA’s Myanmar Service. Translated by Khin Maung Nyane. Written in English by Joshua Lipes.

Jailed Vietnamese Land Activist Was Tortured in Bid to Extract Confession

Jailed Vietnamese land activist Trinh Ba Tu was brutally tortured in detention as part of a bid by authorities to force him to plead guilty to charges of “anti-state activities,” a relative said Thursday, prompting calls by rights groups for an immediate investigation into his case.

Trinh Thi Thao, Tu’s elder sister, told RFA’s Vietnamese Service that she met with her brother’s lawyers on Monday and learned that he had been so badly beaten during an interrogation following his June 24, 2020 arrest that he required hospitalization for kidney inflammation.

After receiving treatment, he was returned to detention and told to sign a false statement confessing to the crime of “creating, storing, disseminating anti-State materials” under Article 117 of Vietnam’s Criminal Code related to posting online content critical of the government’s brutal response to a long-running dispute over a military airport construction site about 25 miles south of the capital Hanoi.

“My brother Tu said that the prosecutor insulted him during the interrogation—the prosecutor’s name is Minh and he’s a prosecutor from Hoa Binh province,” Thao said.

“During the investigation process, investigators promised Tu that if he pleaded guilty, he would be jailed for only six years, otherwise he would have to serve eight.”

Tu and his mother Can Thi Theu, who was arrested the same day and similarly charged, were sentenced on May 5 to eight years in prison and three years on probation each.

His brother Trinh Ba Phuong and another land activist named Nguyen Thi Tam were separately arrested on June 24 on charges of propagandizing against the state for posting online articles and livestreaming videos condemning the government for its handling of the military airport dispute. Phuong and Tam remain in detention pending a trial expected to begin on Nov. 4, Thao told RFA.

Speaking to RFA on Thursday, Ming Yu Hah, deputy director of London-based rights group Amnesty International, said that if the reports of Tu’s torture are true, the Vietnamese government must be held accountable.

“Beating by the authorities under such circumstances would likely constitute torture or other ill treatment, which is absolutely prohibited by international law,” she said, adding that Tu should never have been convicted and sentenced in the first place.

“These serious allegations of torture and ill treatment must be investigated by the Vietnamese authorities immediately and the perpetrators must be brought to justice without delay.”

Ming Yu Hah noted that Tu, Theu, and Phuong are all recognized as prisoners of conscience by Amnesty International and called for them to be freed.

“They have committed no recognizable crimes and have instead been punished for raising awareness of human rights violations committed by the Vietnamese Government,” she said. “They must be released immediately and unconditionally.”

Trinh Ba Tu and his mother Can Thi Theu, who Thao told RFA in July were being held in solitary confinement at a detention center in nearby Hoa Binh province, are currently awaiting a trial to appeal their convictions. The two have also been refused family visits since their trial, although authorities have yet to explain why.

Dong Tam incident

On Jan. 9, 2020, around 3,000 security officers conducted a raid on Dong Tam commune’s Hoanh hamlet to intervene in a long-running dispute over a military airport construction site about 25 miles south of Vietnam’s capital, Hanoi.

Dong Tam village elder Le Dinh Kinh, 84, was shot and killed by police during the operation, and Kinh’s sons Le Dinh Chuc and Le Dinh Cong were sentenced to death on Sept. 14, 2020 in connection with the deaths of three police officers who were also killed in the clash.

In an earlier flare-up of the Dong Tam dispute that goes back to 1980, farmers detained 38 police officers and local officials during a weeklong standoff in April 2017. Three months later, the Hanoi Inspectorate rejected the farmer’s claims that 47 hectares (116 acres) of their farmland were seized for the military-run Viettel Group—Vietnam’s largest mobile phone operator—without adequate compensation.

While all land in Vietnam is ultimately held by the state, land confiscations have become a flashpoint as residents accuse the government of pushing small landholders aside in favor of lucrative real estate projects, and of paying too little in compensation.

International organizations have voiced concern about the Dong Tam case, calling on the Vietnamese government to hold an independent and transparent investigation.

According to Paris-based media watchdog Reporters Without Borders (RSF), state media in Vietnam are highly restricted, leaving bloggers and independent journalists as “the only sources of independently reported information” in the country, despite being subjected to “ever-harsher forms of persecution.”

Measures taken against them now include assaults by plainclothes police, RSF said in its 2021 Press Freedoms Index, which placed Vietnam at 175 out of 180 countries surveyed worldwide, a ranking unchanged from last year.

“To justify jailing them, the Party resorts to the criminal codes, especially three articles under which ‘activities aimed at overthrowing the government,’ ‘anti-state propaganda’ and ‘abusing the rights to freedom and democracy to threaten the interests of the state’ are punishable by long prison terms,” the rights group said.

Vietnam’s already low tolerance of dissent deteriorated sharply last year with a spate of arrests of independent journalists, publishers, and Facebook personalities as authorities continued to stifle critics in the run-up to the ruling Communist Party Congress in January. But arrests continue in 2021.

Reported by RFA’s Vietnamese Service. Translated by Anna Vu. Written in English by Joshua Lipes.

North Korea Forces New Military Officers to Volunteer for Harsh Front-Line Duty

North Korea is “encouraging” newly graduated military officers to take up harsh assignments on the front lines in yet another example of forcing less privileged people to “volunteer” for unpleasant duties, sources in the country told RFA.

As it is still technically at war with prosperous South Korea, North Korea makes every male serve at least seven backbreaking years in the armed forces after finishing high school, but those who are well connected or show promise can enter military academies and become officers with easier duties.

The 1st, 2nd, 4th, and 5th Corps of the Korean People’s Army are front-line units stationed in areas of North Korea closest to the Demilitarized Zone which separates North from South. Even for officers, service on the front is more difficult, more dangerous, and requires much more labor than other assignments.

“My son and most of his classmates in this year’s graduating class at O Jin U Artillery Academy have been assigned to the 1st and 5th Corps, front units in Kangwon province,” a farmer from Ryanggang province in the country’s north told RFA’s Korean Service Thursday.

“The academy’s political department forced them to volunteer, saying it was a request of the party,” said the farmer, who requested anonymity to speak freely.

The farmer said his son had previously been assigned to the 7th Corps in South Hamgyong province in the country’s east, a relatively easy assignment in the rear.

“When he went to the military academy, he expected to return to his original unit, but when graduation approached… they gathered all the students from rear units and said, ‘You’ve had a comfortable time in the military in the rear. It is your duty as soldiers and members of the party to go to the front lines and follow the will of the Supreme Commander,” said the farmer, referring to the country’s leader Kim Jong Un.

“In a meeting ahead of graduation, the head of the academy told our son, ‘The General Secretary’s request is for you to go to the 1st Corps, the main outpost of the country,’ basically forcing him to volunteer,” the farmer said.

The head of the academy told his son that it would be helpful for his future if he volunteered for duty in the 1st Corps and would be a good display of his loyalty, according to the farmer.

“If he were to disobey the request to join the unit on the front line, it would leave a mark on his personal record and follow him for the rest of his days. Moreover, all his hard work over the past three years becoming a military officer as the son of a lowly farmer will have been in vain,” said the farmer.

All the graduates from the rear naturally volunteered for service on the front, according to the farmer. 

“Who could possibly dare to disobey the demands of the party?”

A former soldier who served in the 1st Corps told RFA that frontline service is so bad that nobody wants to serve in those units.

“Kangwon province is very mountainous, so there are not many people, and the transportation situation is very inconvenient. Working and living conditions are awful,” said the former soldier, who now lives in North Hamgyong in the country’s northeast.

“Once assigned to a front unit, it’s almost impossible to be reassigned to the rear. The greatest wish for 1st Corps soldiers and their families is to go to a rear unit north of Chollyong,” said the former soldier, who requested anonymity for security reasons.

Chollyong is an area of Kangwon province notorious for its 99 steep peaks and valleys. The rough terrain makes any assignment there extremely difficult, and anything north of Chollyong is a cushy rear assignment in comparison.

“The 1st and 5th Corps are all-round corps, larger than the others and are the core units that the party is most focused on,” the former soldier said.

Kim Jong Un’s father and predecessor Kim Jong Il visited the 1st and 5th Corps during the 1994-1998 North Korean famine to encourage them to prevent any unexpected chaos at a time when the country was on the brink of collapse, the former soldier said.

“I don’t know how I endured more than 20 years at the base in that mountain range in Kangwon province. I still get goosebumps thinking about that time,” the former soldier said. 

The former soldier said that all the officers at the front are always trying to transfer to the rear, and nobody wants to serve there when they graduate from the academy, so therefore authorities are forcing them to volunteer.

“In the end, the reality of this country’s military is that the children of the poor and powerless have no choice but to serve at the front.”

Reported by Chang Gyu Ahn for RFA’s Korean Service. Translated by Leejin Jun. Written in English by Eugene Whong.